Evita
In my lame "yo, I'm too lazy to post" phase this weekend, I forgot to mention in my morning Percy/Oliver squee post that I saw Evita this weekend!
OMGAMAZING. I've loved this musical since I was a child, as I used to listen to the 1976 Concept Recording record my mom had. Julie Covington's "Don't Cry for Me Argentina" = ♥. I know not everyone is a fan of Evita, as it is Andrew Lloyd Webber's most discordant/over-the-top rock operas, but there's just something about the mad harmonies and Tim Rice's lyrics (their last collaboration!) that grabs me. Plus the Evita story is fascinating.
I also quite like the movie, though I will say that when I rewatched it this weekend post-musical, some of the cinematography I used to really like looked a bit sloppy. But still, I really enjoy the arrangements they did for the music, despite the fact that they lowered most of Eva's songs to suit Madonna's (lack of) range. It's a really good soundtrack, and I've never particularly liked the Broadway recording (with Patti Lapone and Mandy Patinkin - the arrangements are too muddled/bombastic and I prefer more nuance in my Eva).
But the new London cast. Oh, the new London cast. Sir ALW has outdone himself. I thought the cd was good. But the show was BETTER. The orchestrations are even stronger live, and they put real power behind the big show numbers. The whole cast is FABULOUS, particularly the Che because OMG HIS HIGH NOTES, but the show, of course belongs to Eva. She may be only like 5 foot tall (she's really petite!), but she's a powerhouse - even when dancing her ass off, her singing is clean, emotive and crisp (she's actually Argentinean, so the crisp refers to her diction :D). Plus, yes! Her being Argentinean lends a real authenticity to her portrayal, I think. She doesn't need to put on an accent, unlike a few other actors who try and it sounds really pretentious.
I usually don't really like Magaldi or Peron's big song numbers, but I think they've finally cast two really solid male performers who compliment both the Eva and the Che, and I really enjoyed them. Che had hints of indie wannabe boy, but he really pulled off the second half (high notes!). The Waltz for Eva and Che was FAB.
So, yes: if you're in London and want to see a really good musical, I highly recommend the new Evita. I saw the travelling company in Boston three years ago, and this far surpasses it in every single way. I wasn't convinced Evita really worked as a stage musical until now.
Squee. (thank you
thegreenquill for taking me!!!! ♥)
OMGAMAZING. I've loved this musical since I was a child, as I used to listen to the 1976 Concept Recording record my mom had. Julie Covington's "Don't Cry for Me Argentina" = ♥. I know not everyone is a fan of Evita, as it is Andrew Lloyd Webber's most discordant/over-the-top rock operas, but there's just something about the mad harmonies and Tim Rice's lyrics (their last collaboration!) that grabs me. Plus the Evita story is fascinating.
I also quite like the movie, though I will say that when I rewatched it this weekend post-musical, some of the cinematography I used to really like looked a bit sloppy. But still, I really enjoy the arrangements they did for the music, despite the fact that they lowered most of Eva's songs to suit Madonna's (lack of) range. It's a really good soundtrack, and I've never particularly liked the Broadway recording (with Patti Lapone and Mandy Patinkin - the arrangements are too muddled/bombastic and I prefer more nuance in my Eva).
But the new London cast. Oh, the new London cast. Sir ALW has outdone himself. I thought the cd was good. But the show was BETTER. The orchestrations are even stronger live, and they put real power behind the big show numbers. The whole cast is FABULOUS, particularly the Che because OMG HIS HIGH NOTES, but the show, of course belongs to Eva. She may be only like 5 foot tall (she's really petite!), but she's a powerhouse - even when dancing her ass off, her singing is clean, emotive and crisp (she's actually Argentinean, so the crisp refers to her diction :D). Plus, yes! Her being Argentinean lends a real authenticity to her portrayal, I think. She doesn't need to put on an accent, unlike a few other actors who try and it sounds really pretentious.
I usually don't really like Magaldi or Peron's big song numbers, but I think they've finally cast two really solid male performers who compliment both the Eva and the Che, and I really enjoyed them. Che had hints of indie wannabe boy, but he really pulled off the second half (high notes!). The Waltz for Eva and Che was FAB.
So, yes: if you're in London and want to see a really good musical, I highly recommend the new Evita. I saw the travelling company in Boston three years ago, and this far surpasses it in every single way. I wasn't convinced Evita really worked as a stage musical until now.
Squee. (thank you